THE MODERNIST ART OF FICTION
THE MODERNIST ART OF FICTION One possible way of approaching modernism is to place it within a larger cultural framework, by establishing its position to other ‘–isms’ emerging at the end of the nineteenth and beginning of the twentCiteste tot ... 8504 cuvinte
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Reflections on Actantial Models
Reflections on Actantial Models The text reprinted here belongs to Chapter 10 of Greimas' Structural Semantics, a comprehensive attempt to adapt linguistic categories to the structural analysis of literature. Drawing on the example of generatiCiteste tot ... 5127 cuvinte
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Types of Narration
Types of Narration WAYNE C. BOOTH Wayne C. Booth devotes chapter 6 of The Rhetoric of Fiction to an analysis of the different types of narration theoretically available. As he explains, earlier classifications of point of view, such as NormCiteste tot ... 3692 cuvinte
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Focalisation in Film Narrative
Focalisation in Film Narrative CELESTINO DELEYTO Deleyto's article is a pathbreaking attempt to adapt Genette's and Bal's concept of 'focalization' to the specific analysis of film narrative. Drawing on the distinction between narrator (whoCiteste tot ... 7832 cuvinte
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Modes and Forms of Narrative Narcissism: Introduction of a Typology
Modes and Forms of Narrative Narcissism: Introduction of a Typology LINDA HUTCHEON The text reprinted here belongs to chapter 1 of Narcissistic Narrative ( 1980). In it, Linda Hutcheon underlines the intrinsic fictionality and artificialityCiteste tot ... 4701 cuvinte
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Introduction - NARRATOLOGY
Introduction - NARRATOLOGY Preliminaries Definition of narratology Narratology is, etymologically, the science of narrative. The term was popularized, however, by such structuralist critics as Gérard Genette, Mieke Bal, Gerald PrinceCiteste tot ... 16907 cuvinte
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Focalization
Focalization MIEKE BAL The fragment reprinted below is part of the subsection on 'Focalization' in chapter 7 of Narratology, devoted to the analysis of the story level ( Genette's 'narrative'). Genette, in his Narrative Discourse, correctedCiteste tot ... 5518 cuvinte
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Reading for the Plot
Reading for the Plot PETER BROOKS In this excerpt from chapter 1 of 'Reading for the Plot' ( 1984) Peter Brooks sets out to update and redefine the traditional concept of 'plot', fallen into disuse in the English-speaking world aCiteste tot ... 5111 cuvinte
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A New Approach to the Definition of the Narrative Situations
A New Approach to the Definition of the Narrative Situations F. K. STANZEL F. K. Stanzel is one of the earliest and most outstanding narratologi-sts in German. His Narrative Situations in the Novel: Tom Jones, Moby Dick, The Ambassadors, UlCiteste tot ... 3556 cuvinte
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The Value of Narrativity in the Representation of Reality
The Value of Narrativity in the Representation of Reality HAYDEN WHITE Starting from the Barthesean proposition that narrative 'is simply there like life itself . . . international, transhistorical, transcultural' ( 1977: 79), Hayden WhiteCiteste tot ... 5829 cuvinte
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Fabula and Sjuzhet in the Analysis of Narrative: Some American Discussions
Fabula and Sjuzhet in the Analysis of Narrative: Some American Discussions JONATHAN CULLER Jonathan Culler is one of the main semioticians in the Anglo-Saxon sphere. He has both adapted and criticized the European structuralist schools in hCiteste tot ... 4331 cuvinte
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The Time of Narrating (Erzählzeit) and Narrated Time (Erzählte Zeit)
The Time of Narrating (Erzählzeit) and Narrated Time (Erzählte Zeit) PAUL RICŒUR Ricœur's work as a whole provides a bridge between narratology, contemporary theology and existential philosophy. He is one of the most important practitionersCiteste tot ... 6033 cuvinte
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What is Exposition? An Essay in Temporal Delimitation
What is Exposition? An Essay in Temporal Delimitation MEIR STERNBERG In line with Wolfgang Iser, Umberto Eco and Horst Ruthrof, Meir Sternberg offers a reader-response approach to narrative. He defines narrative as a system of 'gap fillingCiteste tot ... 5253 cuvinte
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Introduction to the Study of the Narratee
Introduction to the Study of the Narratee GERALD PRINCE In this seminal article, Gerald Prince, following Genette, draws attention to the figure of the nartatee, the narrator's addressee, which, he contends, is a strangely neglected althougCiteste tot ... 5339 cuvinte
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Voice
Voice GÉRARD GENETTE In chapter 5 of his Narrative Discourse, under the general heading of 'Voice', Gérard Genette offers a systematic analysis of the role of the 'narrating instance' (the one who narrates) as distinct from that of the 'wriCiteste tot ... 7818 cuvinte
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Authors, Speakers, Readers, and Mock Readers
Authors, Speakers, Readers, and Mock Readers In this article Walker Gibson, taking up the New Critical distinction between author and dramatic speaker, differentiates between real reader and 'mock reader'. The mock reader is the narrator's addCiteste tot ... 2155 cuvinte
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Desire in Narrative
Desire in Narrative TERESA DE LAURETIS Teresa de Lauretis' Alice Doesn't: Feminism, Semiotics, Cinema ( 1984) is a groundbreaking study in which, as the subtitle indicates, the author attempts to reconcile semiotics and feminist theory forCiteste tot ... 4446 cuvinte
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Story World and Screen
Story World and Screen EDWARD BRANIGAN In chapter 2 of Narrative Comprehension and Film Branigan considers filmic narrative from the point of view of the spectators, analysing the way in which they transform the two-dimensional sequence ofCiteste tot ... 6776 cuvinte
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Introduction to the Structural Analysis of Narratives
Introduction to the Structural Analysis of Narratives ROLAND BARTHES The article reprinted here was originally published as the introduction to no. 8 of Communications, perhaps the most memorable issue of the pathbreaking French journal andCiteste tot ... 6711 cuvinte
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The Logic of Narrative Possibilities
The Logic of Narrative Possibilities CLAUDE BREMOND This essay, like Barthes' ''Introduction to the Structural Analysis of Narrative'', was also published in no. 8 of Communications. Barthes situated the work of the contributorsCiteste tot ... 5282 cuvinte
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